a three-day movement workshop designed specifically for
adventure seeking creatives
January 8th-10th
Enter a world where the smallest details carry enormous force. What happens when we magnify the nearly invisible, and discover the extraordinary power already contained within.
Explore with us through classes ranging from technique, composition, contact improvisation, and conscientious abandon.Daily Schedule
FRIDAY, JANUARY 8
6:15-9:15PM
6:15-7:45pm* - Contemporary Modern Technique with Kristin O’Neal *($20 Drop-In)
8:00-9:15pm* - staibdance REP with Faith Fidgeon & Cailan Orn *($20 Drop-In)
*($35 Drop-In Combo - both Friday classes from 6:15-9:15pm)
SATURDAY, JANUARY 9
10:00AM-5:00PM
10:00-11:30am* - Contemporary Ballet with Sarah Hillmer *( $20 Drop-In)
11:45am-1:15pm - The 90 Minute Moment with Anna Bracewell
1:15-2:30pm - Lunch BREAK
2:30-5:00pm - Uncensored Composition: Risks and Rewards with George Staib & Anna Bracewell
4:00-5:00pm - Active Recovery Training Session with Emma Faulkner
SUNDAY, JANUARY 10
10:00AM-4:30PM
10:00am-12:00pm* - Contemporary & staibdance REP with George Staib & Sarah Hillmer *($20 Drop-In)
12:15-1:45pm* - Microscoping & Telescoping Contact Improvisation with Kristin O’Neal *($20 Drop-In)
1:45-3:00pm - Lunch BREAK
3:00-4:30pm - Relentless Digging with George Staib & Sarah Hillmer
4:30-5:00pm - Shared Wisdom (for the road home) with George Staib
*($35 Drop-In Combo - first two Sunday classes from 10:00am-1:30pm)
LOCATION: Schwartz Center for Performing Arts, Dance Studio
ADDRESS: 1700 N Decatur Rd, Atlanta GA 30322
Click for Parking Options
Meet the Teaching Faculty
Pricing
Full Workshop: $325
Saturday | Sunday Package: $240
This package includes the FULL schedule on both January 9 & 10, 2027Single Drop-in Class (Friday, Saturday & Sunday): $20
Combo Drop-in Class (Friday, Sunday) $35
* = denotes classes available for drop-in in the schedule.Please note: All Root Theory purchases are final. No refunds will be given.
“I felt so incredibly welcomed as soon as it started, and left feeling like I had a new tool box for experimenting with movements.”