Italy 2019 Faculty Bios
Though his BA is in political science from Dickinson College, George actively studied dance, music and theater throughout his undergraduate years. He then went on to earn an MFA in dance and choreography from Temple University where he served on the faculty upon graduation. Notable teachers include Ann Vachon, Marcia Dale Weary, and Betty Jones; company credits include Ann Vachon/Dance Conduit, Coriolis Dance Company, Gathering Wild Dance Company, and Paula Kellinger and Dancers. As a teacher, he served as a Guest Artist-in-Residence at Temple University, Wilson College and the University of Nevada. He was also a resident choreographer and teacher at the Las Vegas Civic Ballet for four years. In addition, Staib serves on the Executive Committee for ACDFA as Vice President of Membership and served as an adjudicator for the South Regional Conference in 2013.
George is on faculty at Emory University teaching modern and ballet techniques, choreography, and "Contemplate, Create, Debate", a freshman seminar he created to introduce students to the practice of seeing and making art.
Judith Sanchez Ruiz
udith is an independent artist with a rich performing history as a choreographer, performer, and improviser.
The Berlin-based director (Havana, Cuba) has worked with Sasha Waltz & Guest, (2011-2014); Deborah Hay, (2012); Trisha Brown Dance Company, (2006-2009); DD Dorvillier, (2002); David Zambrano, (1997), Mal Pelo Company, (1997-1999); and DanzAbierta Company, (1991-1996). In 2010 she established the JSR Company in New York City, focuses on multidisciplinary and site-specific performances. Since 2012 she has been doing a choreographic collaboration with Edivaldo Ernesto. "There is a name for it" (2013) and "NOISE" (2016) touring extensibly Europe, Latin America and Asia. Since arriving in Europe, JSR Company premiered in Berlin: "Micro Revolution", (2015); ”Sebastian Schunke Meets Judith Sánchez Ruíz”; The improvisational project "Mirror Equation” and "Encaje", her most recent work - on hypocrisy, drawing from the diaries of writer Anaïs Nin, plays with two concepts she has been exploring in her research for a while: « Diary exercise » and « Radio exercise ». Premiering at 13th Guangdong Dance Festival, Guangzhou, China, (2017), and touring the US, presenting the solo + A spontaneous duet honoring the memory of Trisha Brown featuring Jodick Melnick and Lance Gries, & music by Hahn Rowe. Recently Judith was the guest artist at Texas Dance Improvisational Festival (TDIF) 2018.
Sánchez’s work has been presented in numerous International Festivals and has received commissioned choreography works at Danspace Project St. Marks Church NY; Work & Progress at Guggenheim Museum, NY, Whitney Museum NY, Storm King Art Center, NY. She has been awarded grants by The Rockefeller Brothers Fund, The American Music Center’s Live Music for Dance program as well as the Baryshnikov Arts Center: Martha Duffy Resident Artist Spring. Since in Europe her work has been presented at Bouge B, DeSingel Festival, Antwerp, Belgium; Tanzfestival im Kulturzentrum Tempel, Karlsruhe, Germany; OFFestival, Garage 29, Brussels; Belgium; Gdansk Dance Festival, Gdansk, Poland; Festival Deltebre Dansa, Spain, Tanz_house Festival, Saal – ARGEkultur, Salzburg, Festival El Cruce. Rosario, Argentina, El Porton de Sanchez, Buenos Aires, Argentina, Notafe, Viljandi, Estonia, 13th & 14th Guangdong Dance Festival, Guangzhou, China. Box L.A. / we live in space, Los Angeles, US, Brooklyn Studios for Dance, NYC, Performing Art Festival Berlin, Radialsystem V, Hong Kong International Choreography Festival, Hong Kong, East Point West | Interdisciplinary Festival of Embodiment, Kuala Lumpur, Malaysia.
In the seven years after moving from New York City to Berlin, JSR stablished as a choreographer and teacher at major institutions of higher education in dance throughout Europe. Creating works and teaching at the NDH - The Norwegian College of Dance, Oslo, Norway (2014, 2018, SEAD Salzburg Experimental Academic, Salzburg (2016), Conservatoire National Supérieur de Musique et de Danse de Paris, France (2015, 2016, 2017), SNDO - School for New Dance Development, Amsterdam. (2017), the Danish National School of Theatre and Contemporary Dance, Copenhagen. (2010, 2014), at the Modern Dance Theater School, MTD, Amsterdam, Netherlands (2015, 2018, 2019), University of Music and Dance Cologne, Germany (2014, 2015, 2016); Companies like: Sasha Waltz & Dancers, Cie. toula limnaios, Amir Samir Company and summer workshops like Dance Umbrella Festival, London, Coda Oslo International Dance Festival, Oslo, Tsekh Summer School, Moscow, Objectif Danse, Marseille, Summer Melt: Movement Research, New York, 2st Tanztreffen der Jugend, Berliner Festspiele, Berlin, Germany, NYU Summer workshops, Berlin, Summer Workshop, Guangzhou, China and Deltebre Dansa Festival, Spain. Plus Ménagerie de Verre; Tanzfabrik, Marameo, Micadanses, Critical Path, Tanzquartier.
Jennifer received her M.F.A. from Ohio State University and her B.F.A. from the University of Utah. She spent seven years in NYC touring and dancing with various choreographers including David Dorfman and Chris Burnside, and was also the Artistic Director of her own company. She teaches modern dance technique, composition, dance history, teaching methods, and The Creative Process. Salk is currently an Associate Professor and Dance Program Director at University of Washington.
Gavriel Spitzer graduated from the Jerusalem Academy of Music and Dance in 2000. He was a dancer with the Batsheva Ensemble and the Batsheva Dance Company from 2000-2008. In 2009 Gavriel joined Suzanne Dellal productions, working with choreographers Barak Marshall and Renana Raz. In 2002 he became a member of the Gaga teaching staff, and he continues to serve as an instructor today. Gavriel also works as a therapist in the Ilan Lev method, and since 2012 he has been the stage manager of the Batsheva Ensemble
Born in 1985, Elita graduated from Codarts-Rotterdam Dance Academy in 2007, where she started her professional training and danced works by Megumi Nakamura and José Navas. In those years she worked for Anoukvandijk dc Amsterdam and Cathy Sharp Dance Ensemble in Switzerland. In 2011 she graduated in Theories of Performing Arts in Bologna after completing a period of study in Paris, during which she went theoretically and practically deep to the fascinating interactions between dance and new technologies. In 2010 La Biennale di Venezia selected her as a “young critics” for the project Choreographic Collision. Since 2011 she collaborated with Compagnia TPO in Prato and for Turkish choreographer Tan Temel. At the same time, along with a group of friends and in collaboration with oMA in Florence, she created NOW jam session, a project of artistic improvisation. She is currently co-founder and performer of the young collective David&theDreamers, characterized by a multidisciplinary approach of the performance. Next to dance she worked in the field of organisation for Festival or creative projects (Fabbrica Europa Festival, Festival dei Popoli Festival, unit9).“The different experiences of dance, and life, in recent years lead me in search of a more intimate and profound knowledge of the body, that is to say, a search for myself. I see this almost as a cryptic investigation, but moved by an instinctive approach and dynamic, stripped of syllogism and mental greatest systems. I feel that is the path that makes the difference, not the finish line, and it is on this that lately I try to steer my desires and my aspirations. I feel that I prefer chaos to silence, joy to immobility, sharing to selfishness. And this is what I look for when I move, while I live.”
WHAT IS COUNTERTECHNIQUE®? Developed by Anouk van Dijk, Countertechnique® is a movement system to help the dancer think about the dancing body, focusing on the process of incorporating information into action. Countertechnique® allows the moving dancer to work with an ever changing dynamic balance. The consistent use of the counter direction in all movements is key to the technique; both the awareness and application of this principle is trained throughout the Countertechnique® class.
Anna Bracewell Crowder was born and raised in Atlanta, Georgia and began her dance training at an early age at Decatur School of Ballet. While receiving her classical training at DSOB, she attended and graduated from DeKalb School of the Arts, where she studied under the legendary Pamela Jones Malave. Anna went on to receive a Bachelors of Fine Arts in Dance from the University of Georgia. While at UGA, she was a member of CORE Concert Dance Company (CCDC) under the direction of Bala Sarasvati, performing contemporary and aerial dance with training emphasis on LMA and Bartenieff Fundamentals. After graduating in 2012, Anna returned home to Atlanta where she began dancing with Staibdance and is currently within her 4th season with the company. Anna is also currently a dance Artist with CORE Performance Company (CPC) in Atlanta and with them has performed in theaters, museums, festivals and other site specific spaces across the U.S. and internationally. In her time with CPC, she has had the opportunity to work with notable artists such as Amanda K. Miller, Isabelle Saulle, Adolfo Vargas, Niv Sheinfeld and Oren Laor, Leslie Scates, Lori Teague, and Sue Schroder. Outside of her work with CPC and Staibdance, Anna has had the pleasure of dancing with Blake Beckham and The Lucky Penny, Erik Thurmond, and Catellier Dance Projects! Anna has also been internationally recognized in her collaborative work with Association Manifeste (Toulouse, France) in which she performed in several spaces across France and the U.S.